The National College
Lists - Undergraduate Theses Index
Fine Art: Painting
2008:
BOSS, Owen |
Breaking ground: a critical analysis of Ballymun’s Regeneration Ltd.’s Per Cent for Art scheme
B.A. Thesis 2008 |
T 3914 |
BURKE, Laura |
One man and his band: the sudden rise of a very contemporary icon
B.A. Thesis 2008 |
T 3915 |
CARROLL DEELEY, Judith |
The interruption of ‘home’ in contemporary painting Matthias Weischer and the uncanny interior
B.A. Thesis 2008 |
T 3916 |
CONWAY, Siobhan |
The absence of presence - an examination of the commonality of themes in the writings of Derrida’s deconstruction and the artistic works of Sophie Calle
B.A. Thesis 2008 |
T 3917 |
DONOHOE, John |
Being John Wojtowicz: an ontological analysis of the video installation The third memory by Pierre Huyghe
B.A. Thesis 2008 |
T 3918 |
FARRELL, Niamh |
Making the ordinary extraordinary: the films and music videos of Michel Gondry
B.A. Thesis 2008 |
T 3919 |
GIBSON, Richard |
It’s a thin line: postmodernist Big Mac or postmodernist genius?
B.A. Thesis 2008 |
T 3920 |
IREMONGER, Sophie |
Pop, feminism and postmodernism
B.A. Thesis 2008 |
T 3921 |
KENNEDY, Caroline |
Longing and reality: the imaginary world of Karen Kilimnik
B.A. Thesis 2008 |
T 3922 |
MAC MAHON, Sabina (Joint Course) |
The space between art and science: mid 19th century photography and the allegorical photographs of Oscar Gustav Rejlander
B.A. Thesis 2008 |
T 3961 |
MC GOVERN, Oisin |
No locks on the gates of hell: issues in Japanese Anime
B.A. Thesis 2008 |
T 3923 |
MELODY, Michelle (Joint Course) |
Decoration and domesticity: the changing relationship between the decorative and the domestic in art
B.A. Thesis 2008 |
T 3963 |
O CONNELL, Lesley Ann
|
Uneasy abodes: the art of Stefan Kurten
B.A. Thesis 2008 |
T 3924 |
O NEILL, Ian (Joint Course)
|
The dignity of the admiring being: an interpretation of James Turrell’s Afrum- Proto as a metaphor for quantum mechanics and its subsequent parallels with far eastern spirituality
B.A. Thesis 2008 |
T 3966 |
QUINN, Francis |
The Disney corporation, animation on television and anime 3 aspects of animation
B.A. Thesis 2008 |
T 3925 |
REILLY, Fiona |
Methods of distribution, the motivations of the artist and the effects on the audience
B.A. Thesis 2008 |
T 3926 |
SEX, Joshua |
The five languages of paint
B.A. Thesis 2008 |
T 3927 |
TODORVIC, Sanja |
Rationalisation and the magic of art: the stuff of paint in the 20th century
B.A. Thesis 2008 |
T 3928 |
TRINKUNAITE, Ugne (Joint Course) |
Art as business: professional practice in the contemporary art world
B.A. Thesis 2008 |
T 3969 |
TYNAN, Kathleen |
‘Gender performativity’ - with reference to the work of Judith Butler
B.A. Thesis 2008 |
T 3929 |
WELCH, William (Lee) |
Audience, narrative and objects: in relation to the methodologies of art and magic
B.A. Thesis 2008 |
T 3930 |
WRIGHT, Mary
|
The work of Tacita Dean: in search of the intangible
B.A. Thesis 2008 |
T 3931 |
2007:
BARRETT, Darren |
Art and intervention: strategies of artistic practice in contemporary culture |
T 3735 |
BUSHE, Fiona |
Batman begins again |
T 3736 |
COSGROVE, Kevin |
Painting: the end game and new critical awareness: modernism to contemporary practice |
T 3737 |
DOYLE, Jean |
Recollecting through collection: a study of Joseph Cornell |
T 3738 |
EPSTEIN, Myrna |
Terror as a subject in contemporary art practice |
T 3739 |
FIGGIS, Genieve |
The body of abjection: horror film in contemporary culture |
T 3740 |
FITZGERALD, Laura |
Hidden questions: quantum theory and the art of Matthew Ritchie |
T 3741 |
FOX, Cliona |
Cut flesh and the smell of fleshy paint in the art of Jenny Saville |
T 3742 |
HEALION, Anne |
Making sense of it all: responses to the place/world in the work of Julie Mehretu, Franz Ackermann and Stephen Brandes |
T 3743 |
HENRY, Michael |
The contemporary Irish landscape painting: a critical comparison of the works of artists Nick Miller and Barrie Cooke |
T 3744 |
KADYROVA, Liubov |
How painting and paintings were used in Andrey Tarkovsky’s films Mirror (1975) and Solaris (1972) |
T 3745 |
LEAHY, David |
Drawing and its expression in history: process and function |
T 3746 |
LEE, Philip |
Meaning within the holocaust paintings of Luc Tuymans |
T 3747 |
LOOMES, Louisa |
The artistic trial of Francis Bacon |
T 3748 |
MACCONVILLE, Julia |
Sound environments and boundaries |
T 3749 |
MCLOUGHLIN, Owen |
Process: communication feedback |
T 3750 |
MONGEY, James |
The prophets of rage |
T 3751 |
MURPHY, Aileen |
The sexual awakening of Little Red Riding Hood and the power of storytelling in Angela Carter’s and Neil Jordan’s The Company of Wolves |
T 3752 |
O’BRIEN, Oonagh |
Deadpan |
T 3787 |
O’MEARA, Barbara |
Art, trauma and healing |
T 3753 |
ORPEN, Hilary |
Empty vessels: an enquiry into the power and presence of Sonja Landweer’s sculptural forms |
T 3788 |
ROGERS, Catherine |
Handling time and memory: the work of Tacita Dean and Douglas Gordon |
T 3754 |
SHERLOCK, Robert |
The highs and lows of the gallery space: examining conventions of display in the visual arts |
T 3755 |
2006:
| AMBROSE, Olive | Process painting: Alexis Harding, Callum Innes and Ian Davenport B.A. Thesis 2006 |
T 3470 |
| BUTLER, Louise | Perceptions of the environment and changing landscapes B.A. Thesis 2006 |
T 3471 |
| BYRNE, Oisin (Joint Course) |
Light spaces and the self: Olafur Eliasson and James Turrell B.A. Thesis 2006 |
T 3472 |
| CHAMBERS, Fiona | Humour, art and society: a study of ethnicity and the work of Sean Hillen and John Byrne B.A. Thesis 2006 |
T 3473 |
| CLARKE, Samantha | Baldessari and the void B.A. Thesis 2006 |
T 3474 |
| EGAN, Rachel | Getting personal, why be an artist: the art of Tracey Emin B.A. Thesis 2006 |
T 3475 |
| FARRELL, Ian | The corruption of Native American material culture. A religious and visual exploitation by New Age society B.A. Thesis 2006 |
T 3476 |
| FERNANDES, Priscila | First person plural: the use of multiple identities in Fernando Pessoa and Brian O’Doherty B.A. Thesis 2006 |
T 3477 |
| GAJ-MCKEEVER, Emer | Neon: light and art B.A. Thesis 2006 |
T 3478 |
| HENDRICK, Anne (Joint Course) |
Sinister suburbia: the use of American suburban landscapes in the work of David Lynch and Gregory Crewdson B.A. Thesis 2006 |
T 3479 |
| HILDRICK, Maria | The production of meaning: from an individual and institutional point of view B.A. Thesis 2006 |
T 3480 |
| HUGHES, Nicola Jane | Punk: the neglected legacy of female innovators B.A. Thesis 2006 |
T 3481 |
| LOUGHNAN, Sophia | Modern painting, contemporary painting, anxieties of abstraction and representation in Howard Hodgkin B.A. Thesis 2006 |
T 3482 |
| MCDERMOT, Marian | Olafur Eliasson and the phenomenology of perception B.A. Thesis 2006 |
T 3483 |
| MCGLYNN, Kim | Reconstructing the body B.A. Thesis 2006 |
T 3484 |
| MCGOWAN, Carole-Anne | Rebuilding the inner realm. Louise Bourgeois’s objects of deconstruction and reparation B.A. Thesis 2006 |
T 3485 |
| MISKELLA, Aoife | Means of engagement: issues of authorship and appropriation in contemporary painting B.A. Thesis 2006 |
T 3486 |
| O’KANE, David (Joint Course) |
Seeking Svankmajer: illuminating the dark unconscious B.A. Thesis 2006 |
T 3487 |
| O’KANE, Matthew (Joint Course) |
Deconstruction of the aura. How digital reproduction has revolutionized art B.A. Thesis 2006 |
T 3488 |
| O’MAHONY, Maire | The films of Jane Campion: gothic heroines and romantic heroes; the female Oedipal narrative B.A. Thesis 2006 |
T 3489 |
| O’NEILL, Sarah | The relevance of socio-political art in contemporary society B.A. Thesis 2006 |
T 3490 |
| OSBOURNE, Tempy | Inuit art and the influence of globalization B.A. Thesis 2006 |
T 3491 |
| ROCHE, Emma | Fragments and hybrids in contemporary abstract painting B.A. Thesis 2006 |
T 3492 |
| RYAN, Liam | Springtime for Hitler: McDermott and McGough and the ‘Lust that comes from nothing’ B.A. Thesis 2006 |
T 3493 |
| SHERIDAN, Amy | Contemporary public art in Dublin: a dialogue-based practice B.A. Thesis 2006 |
T 3494 |
| SHERIDAN, Lucy | Drawing fictional worlds B.A. Thesis 2006 |
T 3495 |
| SIMPSON, Mark | Peter Doig: art and artifice B.A. Thesis 2006 |
T 3496 |
2005:
| ASTON-ARDEE, Fionnuala | The artist in the community: arts and culture immersed in Fatima B.A. Thesis 2005 |
T 3380 |
| BARNES, Lucia (joint course) |
Observing the observer: an insight into the work of Ian Breakwell B.A. Thesis 2005 |
T 3381 |
| BRADY, Jennifer | Art and etiquette: class, code and convention in art B.A. Thesis 2005 |
T 3382 |
| CAHILL, Yvonne | Jochen Gerz, a person who goes public B.A. Thesis 2005 |
T 3383 |
| CONATY, Rebecca | Fact and fiction in the work of Sophie Calle B.A. Thesis 2005 |
T 3384 |
| CULLEN, Naomi | Reacting to the city: the work of Francis Alys in reference to the Situationist International and to the Praxis Group B.A. Thesis 2005 |
T 3385 |
| ENRIGHT, Karla | The myth and the power of Edmund Burke’s terror-sublime B.A. Thesis 2005 |
T 3386 |
| FLAHERTY, Brendan | Representations of adolescent sexuality in the work of Balthus B.A. Thesis 2005 |
T 3387 |
| FLANAGAN, Ella | Going forward into unknown territory: Agnes Martin, 1912-2004 B.A. Thesis 2005 |
T 3388 |
| GORMLEY, James | Painting the transgressive body: the re-emergence of the abject, fragmented and grotesque body in contemporary painting B.A. Thesis 2005 |
T 3389 |
| HAEFELI, Nadja | Deconstructing perversion in examples of contemporary art B.A. Thesis 2005 |
T 3390 |
| HEDDERMAN, David | The role of the artist in society: with reference to the writings of Wassily Kandinsky and the visions of Charles Chaplin B.A. Thesis 2005 |
T 3391 |
| JENNINGS, Patrick | Painting, nature and the unpresentable B.A. Thesis 2005 |
T 3392 |
| KAGA, Atsushi | Contemporary Japanese artists in the age of globalisation B.A. Thesis 2005 |
T 3393 |
| KEATING, Sean | An Intimist paradox B.A. Thesis 2005 |
T 3394 |
| KELLY, Catherine | Overworking and obfuscation in art B.A. Thesis 2005 |
T 3395 |
| MARTEN, David | The psychology of psychotic art B.A. Thesis 2005 |
T 3396 |
| MAYHEW, Jonathan | John Currin and Elizabeth Peyton: a personal pop art B.A. Thesis 2005 |
T 3397 |
| MCHUGH, Eoin | Luc Tuymans: ambiguity and interpretation B.A. Thesis 2005 |
T 3398 |
| MONGAN, Jennifer (joint course) |
The stunner: hidden sexual references within Pre-Raphaelite depictions of women and femininity B.A. Thesis 2005 |
T 3399 |
| MURRAY, Brian | The appreciation and the use of colour in the landscape B.A. Thesis 2005 |
T 3400 |
| O’NEILL, Amy | Wallinger’s horses – a class act. British class structure and social systems as explored in the work of Mark Wallinger and other young British artists B.A. Thesis 2005 |
T 3401 |
| REDMOND, Laurence | Philip Guston, a personal re-evaluation B.A. Thesis 2005 |
T 3402 |
| ROHAN, Olivia (joint course) |
Open to interpretation: a study of viewer behaviour and their relationship to the aesthetic image through survey method B.A. Thesis 2005 |
T 3403 |
| RUSSELL, Mandy | The influence of America’s commodity culture on the work of Matthew Barney B.A. Thesis 2005 |
T 3404 |
| RYAN, Maire | Independent artists: expanding space for art in the sixties, seventies and eighties B.A. Thesis 2005 |
T 3405 |
| SCULLY, Leda | Paradise and the work of Janice Kerbel B.A. Thesis 2005 |
T 3406 |
| TUTTY, Ruth | A possible life: the personal and political in the practice of Christian Boltanski B.A. Thesis 2005 |
T 3407 |
| WALSH-COLON, Lorraine (joint course) |
Slow art in a fast world. The work of Toba Khedoori, Marco Maggi and Francis Alys: multiple conceptions of space in contemporary B.A. Thesis 2005 |
T 3408 |
| WARNER, Kate (joint course) |
Memory, object and imagination in the work of Do-Ho Suh and Toba Khedoori B.A. Thesis 2005 |
T 3409 |
