The National College
Lists - Undergraduate Theses Index
Fine Art: Media
2008:
CHADWICK, Ruth |
Technology at the speed of light: developments, innovations and effects
B.A. Thesis 2008 |
T 3903 |
CHANDLER, David |
Avatars identity, community and social interaction in online world
B.A. Thesis 2008 |
T 3904 |
DICK, Phoebe |
Artificial artists: the evolution of mechanised creativity
B.A. Thesis 2008 |
T 3905 |
FANNING, Cian |
Talking with the telephone
B.A. Thesis 2008 |
T 3906 |
JOYCE, Dillon |
Film noir, neo-noir film and Dorothy Cross
B.A. Thesis 2008 |
T 3907 |
LATHROP, Michael |
Understanding dystopian societies in cinema and gaming
B.A. Thesis 2008 |
T 3908 |
LAWSON, Sarah (Joint Course) |
The obsolete body
B.A. Thesis 2008 |
T 3960 |
MAC NALLY, Enda |
Nothing conciliatory, nothing divine: a critical reading of surrealism through the lens of George Bastille
B.A. Thesis 2008 |
T 3909 |
MC GILL COGGIN, Andrew |
The clown and performing artists: a study in their shifting roles and relationships.
B.A. Thesis 2008 |
T 3910 |
MC GUINNESS, Sinead |
Photography as a narrative and its logic of representation. Is the photographic image capable of depicting reality?
B.A. Thesis 2008 |
T 3911 |
MEIGHAN KENNEDY, Philip (Joint Course) |
Cultural psychosis or the misadventures of Sherman, Viola and Anderson in the world of postmodernism
B.A. Thesis 2008 |
T 3962 |
RYAN, Fintan |
8995 words about Liam Gillick
B.A. Thesis 2008 |
T 3912 |
PHELAN, Sharon (Joint Course) |
Rhizomisicosmology: simplicity, complexity and emergence in music, science and art
B.A. Thesis 2008 |
T 3968 |
SAN JUAN, Lee |
Shadow, magic and illusion: an exploration through the history of Image-making
B.A. Thesis 2007 |
T 3913 |
WARD, Liam (Joint Course) |
Gus Van Sant’s death trilogy
B.A. Thesis 2008 |
T 3970 |
2007:
COONEY, Hugh |
Internet art: the transfer from an old system to a new one |
T 3724 |
DEENEY, Sophia |
Looked at – looking at: the female pleasure in the gaze in 20th century cinema |
T 3725 |
ELLIOTT, Scott |
Simulated compression and the work of Thomas Demand |
T 3726 |
FEARON, Adam |
Representing desire, desiring representation |
T 3727 |
FERGUSON, Mark |
Virtual worlds: their effects and consequences |
T 3728 |
FORDE, Emma |
Cindy Sherman and self |
T 3729 |
KELLY, Jessica |
Fembots: what androids may reveal about us |
T 3730 |
MCCORMILLA, Aisling |
Interference: compromised sensory experience in a world of technology |
T 3731 |
MOYLAN, Ross |
Symbolic attacks, hegemonic retaliation |
T 3732 |
NOLAN, Shane |
Before, during and after Destricted |
T 3733 |
PETERS, Andrew |
A discussion of the making of four films: Masculin Feminin, Le Weekend, Deux ou Trois Choses and La Chinoise, based on Jean Luc Godard’s statement of intent “not to make political films, but to make films politically” |
T 3789 |
TIMMS, Chris |
A global periphery: Internationalism and the Shanghai Biennale |
T 3467 |
2006:
| ARMSTRONG, Julie | Art within art: using appropriation B.A. Thesis 2006 |
T 3457 |
| BARRETT, Paula (Joint Course) |
Immersion in art and nature: is it possible to access reality beyond representation? B.A. Thesis 2006 |
T 3458 |
| COSTELLO, Robert | Unfinished art: understanding authorship in digital media B.A. Thesis 2006 |
T 3459 |
| DONNELLY, Paul | Hannibal Lecter and Clarice Starling: a modern-day myth B.A. Thesis 2006 |
T 3460 |
| FRIEL, Conor | The art of David Shrigley: the use of humour for more serious intentions B.A. Thesis 2006 |
T 3461 |
| KEARNEY, Sophie | The art of the crossover B.A. Thesis 2006 |
T 3462 |
| KERR, Seanan | Chris Burden’s ‘Shoot’: an examination with the modern cultural discourse B.A. Thesis 2006 |
T 3463 |
| MCCULLOUGH, Mark | Initiating a dialogue: the importance of street art as a means of communication in contemporary society B.A. Thesis 2006 |
T 3464 |
| MCGOVERN, Cecelia-Jane | From Henry David Thoreau to Christian Marclay via John Milton Cage B.A. Thesis 2006 |
T 3465 |
| MCGUINNESS, Mairead | Art in nature: connections with the primitive B.A. Thesis 2006 |
T 3466 |
| O’NEILL, Christopher | The ends of the worlds B.A. Thesis 2006 |
T 3467 |
| PRUNTY, Simon | Challengers of consensus: pioneers in the field of song writing and comedy who have challenged the cultural consensus as well as the boundaries of their medium B.A. Thesis 2006 |
T 3468 |
| TIGHE, Alan | Manipulating perceptions: Ceal Floyer, Douglas Gordon and Dan Graham B.A. Thesis 2006 |
T 3469 |
2005:
| BAKER, Mark | Personal documentary, anti-photo journalism and landscape photography B.A. Thesis 2005 |
T 3369 |
| CORISH, Robert | The computer and art: John Maeda B.A. Thesis 2005 |
T 3370 |
| CUNNIFFE, Edward | Film space implied B.A. Thesis 2005 |
T 3371 |
| DONELAN, James | From Daguerre to Nachwey. A look at war photography and the artists behind the lenses B.A. Thesis 2005 |
T 3372 |
| HALLINAN FLOOD, Robert | Digital or analogue? Developments in new photographic media B.A. Thesis 2005 |
T 3373 |
| HUGHES, Barry | Digital democracy of the everyday. The democratic medium and subject B.A. Thesis 2005 |
T 3374 |
| MACHALE, Fiach | Miniature aesthetic: the work of James Casebere B.A. Thesis 2005 |
T 3375 |
| MAGLOCHLAINN, Ferdia | Postmodernist photography: the works of Andreas Gursky and Jeff Wall B.A. Thesis 2005 |
T 3376 |
| O’DONOVAN, Paul | Degenerate art B.A. Thesis 2005 |
T 3377 |
| SMYTH, Neil | Creativity and mental disorder B.A. Thesis 2005 |
T 3378 |
| TOOMEY, Killian | Possibilities of the human form B.A. Thesis 2005 |
T 3379 |
