The National College
Lists - Undergraduate Theses Index
Joint Course Theses
2008:
Joint Course Design
COOK, Aisling (Joint Course)
|
Behind the button box: keepers and collectors
B.Des. Thesis 2008 |
T 3954 |
MEYNS, Sabrina (Joint Course)
|
Mass - produced memorials: a study of memorial jewellery of the 18th and 19th centuries
B.Des. Thesis 2008 |
T 3955 |
PEARSON, Catherine (Joint Course) |
Anthropomorphic interiors and changing visions of embodiment: an analysis of popular perceptions of the interior body
B.Des. Thesis 2008 |
T 3956 |
VASSEGHI, Sarah (Joint Course) |
Iranian graphic design: a careful balance, timeless tradition and advancing modernity- Iranian graphic design in the 20th & 21st centuries
B.Des. Thesis 2008 |
T 3957 |
Joint Course Fine Art
BROPHY, Ciara (Joint Course) |
The willing audience and unwilling spectators art in public, its production, evaluation and critique
B.A. Thesis 2008 |
T 3958 |
LAWLESS, Amie (Joint Course) |
Humour, play and games
B.A. Thesis 2008 |
T 3959 |
LAWSON, Sarah (Joint Course) |
The obsolete body
B.A. Thesis 2008 |
T 3960 |
MAC MAHON, Sabina (Joint Course) |
The space between art and science: mid 19th century photography and the allegorical photographs of Oscar Gustav Rejlander
B.A. Thesis 2008 |
T 3961 |
KENNEDY, Philip (Joint Course) |
Cultural psychosis of the misadventures of Sheman, Viola and Anderson in the world of postmodernism
B.A. Thesis 2008 |
T 3962 |
MELODY, Michelle (Joint Course) |
Decoration and domesticity: the changing relationship between the decorative and domestic in art
B.A. Thesis 2008 |
T 3963 |
NOLAN, Orfhlaith (Joint Course) |
Social ethics in the consideration of relational art
B.A. Thesis 2008 |
T 3964 |
O BRIEN, Susan (Joint Course) |
What’s in a face: constructing identity through contemporary portrait photography
B.A. Thesis 2008 |
T 3965 |
O NEILL, Ian (Joint Course) |
The dignity of the admiring being. An interpretation of James Turrell’s ‘Afrum- Proto’ as a metaphor for quantum mechanics and its subsequent parallels with far eastern spirituality
B.A. Thesis 2008 |
T 3966 |
O ROURKE, Stephen (Joint Course) |
The media control of the body image
B.A. Thesis 2008 |
T 3967 |
PHELAN, Sharon (Joint Course) |
Rhizomusicosmology: simplicity, complexity and emergence in music, science and art
B.A. Thesis 2008 |
T 3968 |
TRINKUNAITE, Ugne (Joint Course) |
Art as business: professional practice in the contemporary art world
B.A. Thesis 2008 |
T 3969 |
WARD, Liam (Joint Course) |
Gus Van Sant’s death trilogy
B.A. Thesis 2008 |
T 3970 |
2007:
BARRY, Irene |
An investigation of the themes of twilight and forest in the work of Chrystal Lebas and Elizabeth Magill |
T 3790 |
BROWNE, Michelle |
Manipulation or consent: people and ethics in art |
T 3784 |
DUNPHY, Niamh |
This dreaded sight twice seen: the art of the uncanny |
T 3785 |
FORSGREN, Veronica |
The search for the self as a woman artist |
T 3786 |
MURRAY, Elaine |
Irish couturier: Ib Jorgensen |
T 3791 |
O’BRIEN, Oonagh |
Deadpan |
T 3787 |
ORPEN, Hilary |
Empty vessels: an enquiry into the power and presence of Sonja Landweer’s sculptural forms |
T 3788 |
PROCTOR, Lucy |
Symbols of Celtic Christianity as emblems of Irish identity |
T 3794 |
O’TOOLE, Emma |
The development of technique and concept in Irish studio glass |
T 3792 |
OWENS, Aisling |
The worst wolves are hairy on the inside: a study of the company of wolves and Little Red Riding Hood through costume |
T 3793 |
PETERS, Andrew |
A discussion into the making of four films: Masculin Feminin, Le Weekend, Deux ou Trois Choses and La Chinoise, based on Jean Luc Godard’s statement of intent ‘Not to make political films, but to make films politically’ |
T 3789 |
2006:
| BARRAGRY, Catherine (Joint Course) |
Accumulation: theoretical speculation on subjectivity, materiality and cultural practices B.A. Thesis 2006 |
T 3511 |
| BARRETT, Paula (Joint Course) |
Immersion in art and nature: is it possible to access reality beyond representation? B.A. Thesis 2006 |
T 3458 |
| BEHAN, Claire (Joint Course) |
Tim Burton: frustrated structuralist/post structuralist B.A. Thesis 2006 |
T 3498 |
| BYRNE, Oisin (Joint Course) |
Light spaces and the self: Olafur Eliasson and James Turrell B.A. Thesis 2006 |
T 3472 |
| DARCY, Claire (Joint Course) | Identity and autobiography: the art of Adrian Piper, Jo Spence and Nan Goldin B.A. Thesis 2006 |
T 3513 |
| HENDRICK, Anne (Joint Course) |
Sinister suburbia: the use of American suburban landscapes in the work of David Lynch and Gregory Crewdson B.A. Thesis 2006 |
T 3479 |
| MURPHY, James (Joint Course) |
The utilization of the poster by the D.O.P.P. Group as a means of promoting social and political upheaval in communist Hungary during the late 1980s B.Des. Thesis 2006 |
T 3618 |
| O’HARA, Ciara (Joint Course) |
The evolution of fairytales and the work of Kiki Smith B.A. Thesis 2006 |
T 3508 |
| O’KANE, David (Joint Course) |
Seeking Svankmajer: illuminating the dark unconscious B.A. Thesis 2006 |
T 3487 |
| O’KANE, Matthew (Joint Course) |
Deconstruction of the aura: how digital reproduction has revolutionized art B.A. Thesis 2006 |
T 3488 |
| POWER, Lisa (Joint Course) |
The Ballyarthur Collection: a discussion of the consumption of painting by Irish Protestant Freeholders at the beginning of the 18th century B.Des. Thesis 2006 |
T 3535 |
| SPEIGHT, Tamsyn (Joint Course) |
The last Irish traditional workshops, manufacturing hand-made silverware, and survival of the silversmithing craft in Ireland – a case study B.Des. Thesis 2006 |
T 3540 |
2005:
| BARNES, Lucia (Painting) |
Observing the observer: an insight into the work of Ian Breakwell B.A. Thesis 2005 |
T 3381 |
| BUTLER, Josephine (Sculpture) |
‘Because we think that poor is cool’: realism, the everyday and the photography of Richard Billingham B.A. Thesis 2005 |
T 3426 |
| COURTNEY, Ultan (Vis Comm) |
The following films explore the psychological states of their young protagonists by means of fantasy and the fantastic B.Des. Thesis 2005 |
T 3351 |
| KENNEDY, Tara (Sculpture) |
‘You’re not the boss of me…’ An exploration of the questions raised by artist initiated activity B.A. Thesis 2005 |
T 3433 |
| LAWLOR, Jennifer (CGM/Metals) |
Feeding the flames: satanic imagery in metal music visuals B.Des. Thesis 2005 |
T 3277 |
| MCKENNA, Lucy (Textile/Weave) |
Dressing comic book characters: from artwork to screen B.Des. Thesis 2005 |
T 3339 |
| MONGAN, Jennifer (Painting) |
The stunner: hidden sexual references within Pre-Raphaelite depictions of women and femininity B.A. Thesis 2005 |
T 3399 |
| O’GRADY, Orla (CGM/Metals) |
Personal experiences and emotions as a theme in contemporary metal B.Des. Thesis 2005 |
T 3282 |
| O ‘TOOLE, Aoife (Sculpture) |
Traces of the sublime in contemporary installation art B.A. Thesis 2005 |
T 3439 |
| ROHAN, Olivia (Painting) |
Open to interpretation: a study of viewer behaviour and their relationship to the aesthetic image through survey method B.A. Thesis 2005 |
T 3403 |
| TRAYNOR, Frances (CGM/Glass) |
Undergraduate glass education: its value in a changing world from a contemporary student’s perspective B.Des. Thesis 2005 |
T 3288 |
| WALSH-COLON, Lorraine (Painting) |
Slow art in a fast world. The work of Toba Khedoori, Marco Maggi and Francis Alys: multiple conceptions of space in contemporary B.A. Thesis 2005 |
T 3408 |
| WARNER, Kate (Painting) |
Memory, object and imagination in the work of Do-Ho Suh and Toba Khedoori B.A. Thesis 2005 |
T 3409 |
| WILLIAMS, Henrietta (Sculpture) |
Mixed meanings: a theoretical study of selected works by Willie Doherty B.A. Thesis 2005 |
T 3441 |
